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<p>Robert Klein is looking for his step-brother, Emanuel, whom he has met only once. Robert visits two ...</p>
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<p>  在混沌乱世之中,百魅觉醒,猎魂人浪无忌为了复活被狐姥姥杀死的妻子阿若,毅然决然地踏上猎妖魂之路,并遇到了改变自己行动轨迹的狐妖夭夭与道士清风,这一路的奇遇,也让他不得不重新审视起不同族群之间的善恶关系……</p>
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我丈夫的煤气灯:摩根·梅泽尔的故事
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《拉莉萨》剧情介绍

非凡影院提供影视作品拉莉萨高清全集在线观看的影视全集网,剧情片《拉莉萨》全集作品的导演是依莱姆·克里莫夫   ,由依莱姆·克里莫夫  Valentin Rasputin  Stefaniya Stanyuta  主演,拉莉萨在豆瓣的评分为0.0,本片由小编于2025-03-06 12:47更新,希望大家喜欢,可以把《拉莉萨》推荐给你朋友,本作品的地址为 https://byfdc.com/movie/index59683.html

《拉莉萨》简介:<p>  A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko&#39;s films, and her own voice is heard talking about her life and art.<br/>  Elem Klimov&#39;s grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko&#39;s collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko&#39;s premature death while filming her adaptation of Valentin Rasputin&#39;s novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko&#39;s work (Maya Bulgakova&#39;s pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa&#39;s most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko&#39;s You and I, Klimov dissolves between a series of personal photographs that encompass Larisa&#39;s entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov&#39;s Come and See, though by placing the scene first within Larisa&#39;s chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery&#39;s knife has cut.</p>

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